![]() ![]() The specific history this dream lays out is in fact quite telling, as it is at least one vantage point of Jung’s sense of his own collective history, the history of western “progress.” A linear history, such as one presented within a worldview or ideology as the Enlightenment, is also a narrative. In fact, in literary analysis, the basis of narrative is generally understood as just that: the narrative skeleton is the collection of facts in a particular order. From the choices made in terms of which pieces to value, and in what order they are presented, one’s authorship is defined. The final flesh would be style, meaning, and the aesthetics that reflect back at the surface. He chose to interpret a room in a multi-level house in terms of a cultural history of religion, industry, and colonialism, and that those strata should be arranged in such and such a way. (Chronological-historical is not the only way to arrange a narrative, indeed, our experience of life is multi-threaded and non-linear. For example, as you walk down the street you think of a song from your youth, you laugh and it makes you think of a school dance ten years later, then you hear a car honk in the moment, and it puts you in another time. Meditation is such a challenge in part because it seeks to make our time-travelling more at our will, rather than the whim of our unconscious). It may even be a symptom of the Enlightenment ideology to hang Foucault’s pendulum in the center of the city of one’s birth and arrange the whole world round that psychological center. This was frequently the metaphorical-spatial sense he used when creating symbols, as we see in the layout of his mandalas or the quadripartite ‘types’, or the many other circular center oriented symbols he uses as guides.Įvidence for this rather sweeping claim is seen both in the language used, though much if not all of this is merely picked up from his own social environment rather than appearing as the result of particular malice. ![]() For instance, the constant reference to “primitive people” implies a kind of wistful, noble savage myth, and this seems cognate with the ultimate goal of the Jungian psychoanalytic approach, which is to say, individuation. In the case of the materially castrated Christian world, this process involves re-integrating some of the “primitive’s psychology,” though now under the light of reason. Decide for yourself if you like your music better in Minor or Major keysĥ) Apply rhythms to everything.This isn’t at all unique what is unique is that these larger cultural biases had an effect on the specific models that Jung constructed. All your melodies, basslines and chord progressions will be finished.ġ) Works with every DAW on the market, including Logic, GarageBand, Ableton Live, FL Studio, Reason, Pro Tools and moreĢ) Helps you create the MIDI foundation of your trackģ) Lets you customize your chord progressions and come up with truly unique-sounding chordsĤ) Change the Key and Scale of your composition anytime and your entire project will be transposed to the new key. When you’re done with your Odesi session, you will have a 100% composed track that’s ready for production. Odesi speeds up your workflow by making the creation process MUCH FASTER. You can create the MIDI structure of your track very quickly, and then finish your music production inside your favorite DAW. Odesi is the fastest way to write Melodies, Basslines, Chord Progressions and Beats. ![]()
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